Meet Our Next Get Repped Now Consider: Philip Elliott

Meet Our Next Get Repped Now Consider: Philip Elliott

When a Los Angeles family man’s secret neo-Nazi past resurfaces, to avoid life behind bars he must become the man he swore he never again would be and infiltrate a white-supremacist terrorist organization before it seizes the White House. Let’s hear it for our second consider of 2023: Philip Elliott’s thriller pilot AMERICAN SWASTIKA, which…

The Psychology of Act One

The Psychology of Act One

Here is our weekly column of screenwriting tips. For all previous columns, please see our blog entries right here. In our last column, we’ve talked about the Inciting Incident. This week, let’s talk about the rest of Act One. What does that mean? Well, the inciting incident has happened, the monkey wrench has been thrown,…

Writing Dynamic Dialogue

Writing Dynamic Dialogue

This is where you earn your money. When people read a script, they are predominantly looking at your dialogue. Oftentimes scene descriptions get glossed over or even ignored, but your dialogue will always get read. And it’s also the key element that attracts “talent” — the performers whose involvement can get your project greenlit. Fun…

YOU HAVE 10 PAGES

YOU HAVE 10 PAGES

  Writer, producer, CI story analyst, and former manager/development executive Mike Kuciak talks about the importance of the first 10 pages to grab a reader’s attention. By Mike Kuciak   The first ten are the most important in the screenplay, because in the bare-knuckle real world of the film industry those pages often determine if…