So… DEADLINE Hollywood just ran a jaw-dropper of an article titled WGA Data: 87% Of All Scripted TV Shows Are Packaged …With 79% of those packages coming from CAA and WME. …
We provide professional screenplay analysis, development and editing to clients around the world.
Empowering screenwriters since 2002.
Coverage, Ink was founded in February, 2002, by Jim Cirile, a multi-produced, WGA-member writer/artist /musician and then-columnist for Creative Screenwriting magazine. Jim built up a small network of trusted readers who worked for production and management companies, whom he used to develop his own material before sending it out. Looking at the few script coverage companies around in 2002, he found them to be overpriced or the coverage skimpy, demeaning or often just not helpful. So he launched CI with his trusted handful of script development pros reading for CI on the side. (more…).
What is Coverage?
Coverage is simply a reader’s report. Every script submitted to a feature film studio or agency or production company gets “covered.” When you submit a screenplay its fate rests in the hands of one extremely important person: the READER. That individual’s opinion — PASS, CONSIDER, or RECOMMEND — determines whether or not anyone else there will ever read your screenplay. You need an ace in the hole to make sure it’s as good as it can possibly be — script analysis and development from Coverage, Ink. (more…).
Coverage, Ink seeks to provide affordable, world-class story analysis to all screenwriters. We are all about giving back, sharing our knowledge and industry expertise so that every writer who puts in the work can have the best possible shot. We work with our clients to improve screenplays and teleplays on every level, to help elevate craft and voice, and above all, realize their visions. We are huge proponents of DIY and writers taking their power back. There are a million ways to get your work made and get it seen. We’re here to help you bring it.
COVERAGE, INK SPEC FORMAT GUIDE 2017
Everything You Need to EXPLODE your Style
Whether you're just getting started or a pro, the CI Spec Format Guide will help you bring it. Packed with tips and tricks to improve your craft and help your writing become quicksilver and your voice unique and compelling. Must read! Only $3.95.
Coverage, Ink breaks it down
How Do I Get an Agent?
How Do I Know When My Script is Ready to Go?
The Importance of the First Ten Pages
Agent’s Hot Sheet – Live Panel
JRS on Budget – What Screenwriters Need to Know
Typos = Bad
Importance of Presentation
The Importance of Character Differentiation
Who Can Sell a Pitch – Hollywood Agent & Manager Panel
The New Way of Getting Things Made – Pitchfest Panel 2014 excerpt
Where Do Hollywood Agents & Managers Find Clients
Jake Wagner on Contests
Manager Jesse Silver
Manager Adam Marshall
AGENT'S HOT SHEET
Ten Years of Screenwriting Wisdom from Hollywood's Top Reps
A decade's worth of interviews with the top agents and managers in town. Find out how to get their attention, how to break in and stay in, what they're looking for - and what they aren't. 230 pages of critical intel for screenwriters.
Howdy, friends! Recently we asked our newsletter subscribers to email us any questions, and I’d do our best to answer them. So here please find a selection of some of …
Stephanie Palmer from Good in a Room posted this great primer, a must-read for anyone thinking about writing for TV (which should pretty much be everyone nowadays, since that’s where …