The Midpoint High

The Midpoint High

Let’s talk about your midpoint. Assuming your script clocks in at 100 – 110 pages, this will happen somewhere between pages 50 to 55. The first part of Act Two saw our protagonist struggle to get their bearings in this new environment, try to advance their goal, and make quite a few mistakes. (If you…

Meet Our Next Get Repped Now Consider: Philip Elliott

Meet Our Next Get Repped Now Consider: Philip Elliott

When a Los Angeles family man’s secret neo-Nazi past resurfaces, to avoid life behind bars he must become the man he swore he never again would be and infiltrate a white-supremacist terrorist organization before it seizes the White House. Let’s hear it for our second consider of 2023: Philip Elliott’s thriller pilot AMERICAN SWASTIKA, which…

The Strong Turn Into Act Two

The Strong Turn Into Act Two

We’re continuing our journey through screenplay structure by examining the turn into Act Two. In case you’ve missed our previous columns about setup, inciting incident, and the hero refusing the call, you can find them on our blog. Act Two is where your protagonist embraces the mission they were given. It usually happens somewhere between pages…

The Psychology of Act One

The Psychology of Act One

Here is our weekly column of screenwriting tips. For all previous columns, please see our blog entries right here. In our last column, we’ve talked about the Inciting Incident. This week, let’s talk about the rest of Act One. What does that mean? Well, the inciting incident has happened, the monkey wrench has been thrown,…

Character Arcs

Character Arcs

Before we get into the nitty-gritty, a quick reminder that Get Repped Now! is almost upon us. It starts on 3/17. So polish those scripts! With that in mind, let’s talk about character. Does your character arc? Or are they the same person at the end that they were at the beginning? Now look, if…

Forward Momentum

Forward Momentum

Here is our… Screenwriting Tip of the Week Last week, we talked about editing. This week, let’s talk about a related subject: FORWARD MOMENTUM Does every scene move the story forward? Does it advance the plot or give us new insight into a character? In a perfect world, it should do both at the same…