There’s a whole hidden infrastructure in Hollywood devoted to tracking and scoring Open Assignments. Come get some. (Note: This article was originally published in 2019, and some of the people mentioned have moved on.) It’s not just about specs. The vast majority of a working screenwriter’s income often comes from assignments. We spoke…
Yes, we know, eyes are glazing over at the thought of yet another missive about formatting. Look, guys, you don’t want to give the gatekeepers a reason to pass on your script before they’ve even read it. And if they open the PDF and it’s clear that the author doesn’t know the difference between sheeeit…
According to the WGA, no one is supposed to write anything in Hollywood without getting paid for it. Yeah, about that… by Jim Cirile Here’s a topic that may shock those of you who hope to one day sell a spec or maybe even make a living as a screenwriter. And that is:…
What possible avenues would I have with my script in terms of pitching (contests, etc)? What do I do with it once it is awesome? One of our clients just asked these very questions and, of course, we figured many of you might be wondering the exact same thing. That’s a big question. We could…
We’re still working our way through GET REPPED NOW! submissions and have noticed a tendency for Shot Calls and Music Calls. Yes, we understand you can visualize your writing so well that you know exactly what it should look and feel and sound like. However, sometimes this tendency can hurt your material and your career….
As you probably know, the Get Repped Now 5/31 deadline is approaching fast! If your screenplay or pilot scores a “consider” or better for script, it will be elevated to our manager panel and hopefully open the door to representation. Want to know the #1 reason many writers don’t land that coveted “consider”? Pedestrian dialogue. We’ve…
But I’m the writer! Only I know what it looks like in my head. That’s why I need to put it all on the page. Every camera angle, every character movement. Right? HOW NOT TO SHOOT YOURSELF IN THE FOOT Part Five: DON’T ANNOY THE DIRECTOR (You can find Part One, Two, Three, and Four…
They always say “write what you know.” But often we hear aspiring writers say, “Eh, my life isn’t interesting. I’m an accountant,” or “I’m a plumber.” Uh, hello? OZARK? Accountant. A slightly elevated one, sure, but that’s where the writing part comes in. MIDNIGHT RUN, same thing. How about BREAKING BAD? A sad, milquetoast, high…
“Fealty” Screenwriter Joe Marino Caught the Eye of Schemers Entertainment We’re delighted to report that Joe Marino has signed with managers Gavin and David Binns from Schemers Entertainment as part of our Get Repped Now promotion. Marino’s Southern Gothic horror/thriller screenplay FEALTY was an intense, slow-burn page-turner, The script received a “consider” for both…
Never send out material before it’s ready. We’ve all done it. We’re all eager to send out the new script we just finished because we’re excited and think it’s the bomb. Funny thing is, all writers suffer from the same tunnel vision. None of us have the ability to accurately see the quality – or…