Only a few weeks in to Get Repped Now, and we’ve already got our first “consider” of the season. Jason Sotolongo’s 1-hr pilot REDPOLL is a compelling spy yarn tinged with sci-fi. Sotolongo is an award-winning producer and director for commercials, docuseries, branded content, social media content, and promos for major networks and brands….
Lee Jessup is the real deal. For over 20 years she’s been a beacon in the darkness for both aspiring and established writers. If you’re serious about breaking in and making a career out of screenwriting, you’ll want to check out what she has to say. To say she has her ear to the ground…
During our recent round of free 30-minute phone calls, age seems to have been a concern for a number of you. Is there ageism in Hollywood? If you’re over 40, are people going to look at you differently? So we had a lovely chat with Brad Johnson, screenwriter, filmmaker, and founder of The Gray List,…
20 minutes of tips and cautionary tales With Get Repped Now less than two weeks away, we’ve put together a little video for ya packed with advice and tips to help you crush Get Repped Now. Enjoy! Watch last year’s PRO TIPS TO CRUSH GET REPPED NOW video here. Next week: we announce OUR 2025 MANAGER PANEL….
Is it time to say adios to your pet project? THE TRAP so many screenwriters fall into: working on one script well past its expiration date. While tenacity is important for writers, so is knowing when to take the brush off the canvas. In general, if it’s been five years or more and you’re still…
Get Repped Now 2025 is rushing towards us. Is your script ready to rock the house? Before you send that baby into the world, make sure you’ve done everything possible to convey a patina of polish and professionalism. Here are ten of the most common script problems we encounter. Hint: make sure your script is…
This week our resident rom-com expert Anna Siri brings us a deep dive into the beloved romantic comedy format. It’s been a couple of decades since rom-coms have had a moment like this. We can remember the days when the likes of Nora Ephron and Nancy Meyers packed the theaters with audience-goers in search of…
Get Repped Now returns March 17th. So we’re kicking off Get Prepped For Get Repped, a series of weekly giveaways, articles, and more, to help you BRING IT. To start it off with a bang, we’re giving away 60 FREE PHONE CONSULTATIONS (you read that right.) Plus we’re launching our 23rd Anniversary Sale at CoverageInk.com….
Anora. Annabel. Abigail. Michael Clayton. John Wick. Marianne. Emilia Perez. What do all these titles have in common? They’re all “name” titles. And what do they tell us about the movie or show? Zero, zilch, nada. Genre? Nope. Tone? Nein. Theme? Non. Subject matter? ʻIkai. (Yeah, that last one was Tongan and we had to look…
Every screenwriting teacher talks about Theme. But do you actually need it? If you’re unfamiliar, THEME generally refers to what the writer is really trying to say: the takeaway, the mission statement, if you will. It’s often a truism or observation about life, like: no good deed goes unpunished, or love will find a way….
