We are still plowing our way through Get Repped Now scripts. In the meantime, we wanted to give you a quick rundown of some common problems we found. The Inactive Protagonist Let’s remember that your protagonist needs to work hard at achieving their goal. They can’t be the bystander in their own story. They are…
You’ve been cranking on that new idea for months now. It’s finally time to show it around. Wait! Let CI take a look first. We’ll suss out all the areas that may need a bit more TLC before the material is ready to rock. Now save 15% on any screenplay or pilot analysis from CI….
Here is our last entry in our movie structure series: how to create a successful Act Three. In case you’ve missed our previous columns on movie structure, you can find them on our blog. The dark night of the soul is behind our protagonist. They’ve just managed to get out of a tight spot and…
Let’s continue our journey through movie structure. In case you’ve missed our previous columns on this subject, you can find them right here on our blog. We are in Act Two and past the midpoint. The bad guys have been closing in on our protagonist, and now it seems they have succeeded. In classic screenplay…
Let’s continue our journey through movie structure. In case you’ve missed our previous columns on this subject, you can find them right here. We’re past the midpoint. We’ve just witnessed our protagonist finally gain a foothold in their new world and celebrate that fact; but now the bad guys are closing in, more viciously and…
Let’s talk about your midpoint. Assuming your script clocks in at 100 – 110 pages, this will happen somewhere between pages 50 to 55. The first part of Act Two saw our protagonist struggle to get their bearings in this new environment, try to advance their goal, and make quite a few mistakes. (If you…
When a Los Angeles family man’s secret neo-Nazi past resurfaces, to avoid life behind bars he must become the man he swore he never again would be and infiltrate a white-supremacist terrorist organization before it seizes the White House. Let’s hear it for our second consider of 2023: Philip Elliott’s thriller pilot AMERICAN SWASTIKA, which…
We’re continuing our journey through screenplay structure by examining the turn into Act Two. In case you’ve missed our previous columns about setup, inciting incident, and the hero refusing the call, you can find them on our blog. Act Two is where your protagonist embraces the mission they were given. It usually happens somewhere between pages…
Here is our weekly column of screenwriting tips. For all previous columns, please see our blog entries right here. In our last column, we’ve talked about the Inciting Incident. This week, let’s talk about the rest of Act One. What does that mean? Well, the inciting incident has happened, the monkey wrench has been thrown,…
We are psyched to introduce our first Get Repped Now 2023 consider: Joe Marino. Joe really brought it with his tense Southern Gothic horror-thriller FEALTY, and we can’t wait to introduce him to our industry panel. As it turns out, he’s also friends with former GRN considers Jason Gruich and David L. Williams whose careers…