Every up and coming writer dreams of breaking in. But what then? Here’s how to keep from going broke as a successful writer. Reprinted courtesy of Script magazine By Jim Cirile Ah, the life of the Hollywood screenwriter – fame! Fortune! Okay, not so much fame. But still – fortune! Right? Heck, your spec script…
Now: listen to the podcast right here: http://www.jeffreyborrowdale.com/audio/5_Myths_of_Contests_2011-08-11.mp3 ++++ Hi folks, want to know the skinny on screenplay contests? Want to know which ones are the real deal? Want to know which ones (if any) the industry pays attention to? Want to know how to cut through the hordes and break into the top ten?…
Hi folks, just a clarification/correction: in our blast that went out from Without a Box last week regarding Writers on the Storm contest (which is extended to 8/21 via Without a Box ONLY,) it appeared that manager Jeffrey Belkin was affliated with Save the Cat! This was because a comma was somehow omitted in our…
Ten Genres to Avoid Like the Plague by Jim Cirile Even more important than what’s hot right now? What’s ice cold. Our industry panelists give you the skinny on ten genres to avoid. ADVISORY BOARD Richard Arlook The Arlook Group Nicole Clemens International Creative Management A.B. Fischer The Shuman Company Emile Gladstone International Creative…
The (Not Especially) Long Haul If you work hard enough and long enough and have no small amount of luck, you may just break in as a screenwriter. But how long will the gravy train run, and what can you do to keep it on the rails? by Jim Cirile Reprinted courtesy of Creative Screenwriting…
by Jim Cirile Adam Leipzig is one of a kind. He’s a golden-touch film exec who helped transform Disney from a film company who had never had a big hit to the behemoth it is today. For six years, he helmed National Geographic Films, whose successes include “March of the Penguins”. He’s also the same…
2010 promises to be an exciting year for Coverage Ink. We’re rolling out a brand-new web site in early February that will decrease the clutter, make navigation much simpler and add new and exciting content. We’re going to be rolling out instructional videos throughout the site (all free) and adding plenty of new articles, tips…
reprinted courtesy of “Creative Screenwriting” magazine Now more than ever, buyers are expecting agents and managers to bring them not just a spec script but a ready-to-shoot package complete with director and actors. We asked our panel how this affects them as they navigate increasingly tricky waters in search of a deal. By Jim Cirile…
Covering Your Ass: Copyright vs. WGA Registration By Jim Cirile Writers often ask me how to protect themselves against plagiarism. And for years, I’ve always said the same thing: plagiarism in Hollywood for the most part doesn’t exist, at least not in the way people think. By that I mean, it’s highly unlikely that some…
A couple years back, Creative Screenwriting ran my interview with young UTA agents Tobin Babst, Julien Thuan and Jason Burns. Superagent Marty Bowen had dubbed them “The Locker Room Guys,” because when they were first promoted, all three had to share a small office, which Bowen joked was rather like a locker room. We had…
